Full spectrum conversion: every wavelength, one camera.

The short answer

A full spectrum camera conversion removes the camera’s internal hot-mirror filter and replaces it with clear glass, so the sensor records everything from ultraviolet through visible light to deep infrared. The camera itself then has no “look” at all — the look is chosen by the filter you put in front of the lens: a 720nm filter for classic infrared, an 850nm filter for pure monochrome, an IRChrome for the Aerochrome look, or a hot-mirror filter to shoot normal colour again. One body, every wavelength.

My Nikon Z7II is converted to full spectrum, and it is the camera I reach for most. On a fixed-wavelength body like my 665nm D750, the decision was made once, at the workbench. On the full-spectrum body the decision is made per frame, at the filter ring — and because a mirrorless camera focuses on the imaging sensor itself, focus stays accurate at every wavelength with no per-lens calibration.

Full spectrum infrared photograph taken with an orange filter: cattle in a field rendered in warm orange tones
Cattle at pasture — Nikon Z7II full spectrum, orange filter — full-spectrum Z7II with an orange filter

How the filter becomes the camera

With clear glass over the sensor, the camera sees roughly 350nm to 1100nm. Everything you do next is subtraction:

  • 590nm filter — warm gold false colour. 665nm — balanced pink-and-blue colour. 720nm — the classic white-foliage standard. 850nm — pure black and white. The infrared lens filter comparison covers each in depth.
  • IRChrome filter — the red-foliage Aerochrome look with no channel swap in post.
  • UV/IR-cut (hot mirror) filter — puts back what the conversion removed, so the camera shoots ordinary visible-light colour again. A full-spectrum body can genuinely be your only camera.

Clip-in filters vs screw-on filters

Full-spectrum shooters choose the wavelength with one of two filter types:

  • Clip-in filters drop into the mirrorless body in front of the sensor. One filter serves every lens, adds no vignetting, and nothing on the lens changes. My default way of working — but they exist only for specific mirrorless mounts, and swapping them in the field takes a clean, careful hand.
  • Screw-on lens filters thread onto each lens. Universally compatible — DSLRs included — and easy to swap outdoors, but you need one per thread size (or step-up rings), and thick rings can vignette on wide lenses.

Full spectrum vs a fixed-wavelength conversion

  • Choose full spectrum if you want to experiment across wavelengths, shoot the Aerochrome look, or keep one body that can still take normal photographs. This is the flexible, future-proof route — and the one I would pick first today.
  • Choose a fixed wavelength (like a dedicated 720nm or 665nm conversion) if you know exactly the look you want, prefer an optical viewfinder on a DSLR, or want a grab-and-go body with nothing to screw on. It is simpler and slightly cheaper.
  • Either way, mirrorless wins for focus reliability — the sensor-plane autofocus does not care which wavelength is passing. The best camera for infrared photography guide compares the bodies I have owned.

Next step

Convert a camera to full spectrum

A full-spectrum conversion is a bench job — the sensor stack comes apart — so it is worth having done professionally. Kolari Vision did my conversions, sells both clip-in and screw-on filters for the full-spectrum bodies they convert, and their guides match what I have found in the field. Buying through these links supports this site at no extra cost to you.

Links to Kolari Vision are affiliate links: if you buy through them the site earns a commission at no extra cost to you. They are the shop my own conversions and filters came from, and the recommendation would be the same without the program — full disclosure.

Common questions

Does a full-spectrum conversion hurt image quality?

No — the replacement clear glass maintains the correct sensor stack depth, and on mirrorless the autofocus stays accurate because it reads the imaging sensor. What changes is that you must always have some filter in place, because the naked sensor sees UV and IR that blur visible-light sharpness.

Can a full-spectrum camera still take normal photos?

Yes, with a UV/IR-cut (hot-mirror) filter on the lens or clipped in. Colour comes back to normal. It is the only conversion type that lets the camera go back.

Is full spectrum more expensive than a fixed conversion?

The conversion itself costs about the same; the difference is that you will buy filters over time. A 720nm screw-on filter is an inexpensive starting point, and one clip-in filter replaces a drawer of screw-on sizes.

Which cameras can be converted to full spectrum?

Almost any modern mirrorless body and most DSLRs. Mirrorless is the better host: the electronic viewfinder shows the infrared image as you shoot, and focus is sensor-based.

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